Let’s hear what the jazz greats have to tell us.

 

“You're basically stripping away all the elements that are unnecessary for your performance, and getting to the stuff that matters.”

— Mr. Mark Helias

“I had no problems with Dinah Washington. I dare you to go out and look for a piano player who can say that.”

— Mr. Junior Mance

“Bird leaned over and in my ear he said, 'Sounds real good, Phil'....and I stopped looking for the magic reed, the magic mouthpiece, the magic strap, and I started to practice.”

—Mr. Phil Woods

"Betty Carter could sing a ballad so slow that you could play one note and then go to lunch."

— Mr. Buster Williams

"Art Blakey was the greatest drummer in the world until a good looking woman came in the place. Then he'd start making a lot of noise. He'd drown out everybody. He made sure that she knew he was the band leader."

— Mr. Lou Donaldson

"Sonny Rollins and I, over those (55) years have probably spoken 15 minutes worth. Let's get on the stand and play. Then I'll tell you what I have to say."

— Mr. Bob Cranshaw

"I grew up in coal mining country. Very poor. No water in the house. No toilet in the house. No heat....It was hard....My outlet was music. I was unhappy all the time so I would sing."

— Ms. Sheila Jordan

"In those days you used to play like 40 on and 20 off. And we always looked forward to Coltrane coming to town because he would play for like an hour and a half. And many times on intermission would go in the bathroom and practice until he went back on the bandstand."

— Mr. Sonny Fortune

"She (Betty Carter) used to come and listen to Carmen (McRae)...she learned how to put all those improvisational skills into the lyric...into the story she was trying to tell."

— Mr. Norman Simmons